5 ways to beat the block.

 

All songwriters, no matter how successful, face the almighty fear of being trapped in the dark, dank space that writers block creates. In this month’s Session Notes blog, ‘5 ways to beat the block’, Pro7ect Songwriting Retreats founder and songwriter Lisa Fitzgibbon dives into the murky depths of songwriting impotence and shares some tasty tips to help navigate the art of beating the block.

“The whiskey had gone out of the bottle… the glow was gone, and the match had burned right to the end”.  
-
Bob Dylan Chronicles, Volume One

 

No matter what creative field you exist in, all artists experience cycles of extreme productivity and intense inactivity. Like athlete’s, we need to pace ourselves and learn how to manage this ‘feast or famine’ experience.

 

P72022: Lisa Fitz - photo by Ian Wallman

Writer’s block can result in a crisis of confidence and an overwhelming feeling of imposter syndrome. I promise you that it happens to all of us. In his book ‘Bob Dylan Chronicles, Volume One’, the famous songwriter eloquently describes writers block as “The whiskey had gone out of the bottle… the glow was gone, and the match had burned right to the end”.  This honest account of creative destitution hits a raw nerve, but also gives hope. When I’m drowning in the subterranean dry-spell, I find Dylan’s descriptions strangely liberating…

 

“The problem was that after relying so long on instinct and intuition, both these ladies had turned into vultures and were sucking me dry. Even spontaneity had become a blind goat. My haystacks weren’t tied down and I was beginning to fear the wind. There was a missing person inside of myself and I needed to find him.”

- Bob Dylan Chronicles, Volume One

 
 

As songwriters, we can’t be prolific all the time (Prince being an exception to this rule), so, here are some top tips to help beat the block for us mere mortals:

Lisa Fitz’s 5 ways to beat the block:

 
 

1. Take a break – I know this sounds simple, and it is. But it isn’t easy. When you are blocked it might be because you’re trying too hard, head-butting a deadline, or just feeling a bit stale. A quick 5-minute tea break, 30-minute walk, 2 week boundaried music-detox or even a bigger sabbatical, could change the frequency on your creative dial.

2. Move your body – Another quick fix that can really work. I am lucky to live in the beautiful Cotswolds, UK, and have access to the most amazing country. But even a walk, run, ride in your neighbourhood will press the refresh button on your creativity.

3. Stand on the shoulders of giants – find a song that you wish you’d written and use it as a starting place for your next song. This is a technique I learned from Pro7ect Headline Producer Gethin Pearson (Charlie XCX, Badly Drawn Boy). He asks artists for 3 songs they wish they’d written and uses them as inspiration for the session. It could be something as simple as the key, bpm or horn sound that ignites a fresh idea and breaks the block.

P72018 - Levina, photo by Ian Wallman

4. Be prepared – when the magic happens you need to be ready to catch it. Sometimes I get a song idea when I’m running, or in the middle of the night. I always make a voice note or write down these little drops of inspiration, just in case it leads to a bigger idea. It can also inspire an idea retrospectively when you find it in your songbook in future.

5. Go on a songwriting retreat – no surprises that I would recommend this, but it really works. I’ve found inspiration in places I didn’t know I had, by collaborating with other artists and top internationally recognised music producers at Pro7ect’s residential retreats at Rockfield.
You can find out more about these life changing songwriting experiences here: https://www.pro7ect.com/what-happens-at-a-retreat

P72022: photo by Ian Wallman

The truth is there’s no quick fix for writer’s block. An important part of our professional practise involves finding the ways and the means to navigate these fallow fields on our creative journeys but knowing that there will be light at the end of the tunnel might just be the very thing that pulls you through.

 

As Bob Dylan says: “I had a premonition something would happen. At first it was hard going, like drilling through a brick wall. All I did was taste the dust. But then miraculously something internal came unhinged… instantly, it was like a thoroughbred had charged through the gates. Everything came back. Even I was surprised. It left me kind of shaky. Immediately, I was flying high.”

Now there’s a song in that!

P72019: Gethin Pearson and Lina Horner - photo by Ian Wallman

 
 

Since its launch in 2013, Pro7ect has brought together over 120 artists, songwriters, musicians, and producers. These collaborations have resulted in nearly 100 tracks written and recorded, 18 of which have been released. There have also been four syncs, three albums produced by P7 artist collaborators and many production opportunities for participating Headline Producers through the P7 Alumni.

Pro7ect’s success lies in its ability to pair artists and songwriters with internationally acclaimed producers who are there to guide the recording process and capture the collaborative efforts of our writing teams. Limited places are available so apply today…

 

Dates and Prices for Pro7ect 2024 are:

Residential: 16th – 20th July - £1795
The Early Bird rate of £1695 if available to anyone booking before 01.01.24.

Fee includes four nights’ accommodation (twin share), three writing days and all meals, studios, and equipment.

Masterclass: 20th July: 10am - 5pm - £225.
The early bird rate of £195 is available for bookings before 01.01.24.

The price includes studio, equipment, producer fees and lunch.
Applicants do not need to have any previous songwriting experience to attend the Masterclasses.
The Masterclass is open to anyone. No previous songwriting experience required.

 

“A friend suggested I go on a songwriting retreat
…and it changed my life!”

- Lisa Fitzgibbon (singer, songwriter, music producer)

 

Pro7ect is proudly sponsored by Prism Sound.

P7 Headline producers include Stew Jackson (Massive Attack), Youth (Sir Paul McCartney, The Verve, The Orb), Roni Size (Reprazent), John Fortis (Razorlight, Ellie Goulding), Greg Haver (Manic Street Preachers), Iain Archer (Snow Patrol, James Bay), Andrew Levy (Brand New Heavies) and Mercury Prize Winner Talvin Singh, just to name a few.

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The Art of Backing Vocals PART 2: Recording